Uh-oh! Looks like she’s up to her old tricks!!

After speculation that Beyowulf was getting songwriting credit where it was not due, producer Rob Fusari is talking about how the diva ripped off his idea for the now classic Destiny’s Child track Bootylicious!!

I came up with the idea to build a track using the guitar riff from Stevie Nicks‘ Edge of Seventeen. I really wanted to play the riff from Eye of the Tiger, but I was flipping through my CDs in the studio and I couldn’t find it. But I saw the Stevie Nicks CD and I remembered that the riff was similar.

I figured I’d put the guitar loop on there temporarily, and later go into the studio with a guitar and replay it, because I’d learned, after sampling Stevie Wonder‘s I Wish for Will Smith‘s Wild Wild West, that I didn’t want to lose 50% of the publishing. I vividly remember telling Mathew Knowles, “Mathew, you got to book me into your studio and let me replay that riff.” It was Guitar 101! One note!

He didn’t want to do it. So 50% got cut for one note. That whole experience was bittersweet for me.

I remember watching Barbara Walters interview Beyoncé about Bootylicious, and she told Barbara about how she came up with the idea for the track. And I was just like, “What?” I called Mathew – which was a big mistake; I got emotional, and I apologized after – but I called Mathew and said, “Mathew, like, why?”

And he explained to me, in a nice way, he said, “People don’t want to hear about Rob Fusari, producer from Livingston, N.J. No offense, but that’s not what sells records. What sells records is people believing that the artist is everything.” And I’m like, “Yeah, I know, Mathew. I understand the game. But come on, I’m trying too. I’m a squirrel trying to get a nut, too.”

Shady, shady Beyowulf!!

What do U think?? Do U think Beyowulf is really using other people’s work as hers??

[Image via WENN.]

Original post by Perez Hilton